If they have speed-dating on Bird Island, you would think they might also have therapy. Red reluctantly agrees to team up with Leonard because he believes his only worth lies in his identity as a rebel hero. Come to think of it, it’s the kind of entertainment that could only be enhanced with a little green. It’s a colorful, cuckoo-crazy, sometimes funny, often bewildering experience, to which you slowly become numb with every incongruous shot of Leonard the pig’s round, green butt.
They’ve got the entire Sony Music catalog, and you bet they’re gonna cram in 30 seconds of every familiar hit song to which they already have the rights. The writers launch ‘90s jokes right over the heads of the kiddie audience, aiming squarely for the noggins of their parents.
But what else could one possibly expect from the sequel to the animated feature adaptation of a smartphone game where the object is to launch small round birds at green pigs using slingshots? Stewart, is somehow even more chaotic than the first. The second film in the franchise, “The Angry Birds Movie 2” (grammar nerds will chafe at this awkward phrasing), directed by Thurop Van Orman and written by Peter Ackerman, Eyal Podell and Jonathan E. The “Angry Birds” movies are the textbook definition of chaotic energy.
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